Sunday, December 28, 2008

The Duke Spirit - Neptune: C-

An odd English band that blends a bit of Blondie, lots of Momas and Papas, and a dash of Sonic Youth. At times it all gels and is pretty good (Lassoo). But more often than not it sounds like some deranged cover band (Dog Roses). So, mostly pass on this band.

Sunday, December 21, 2008

Land of Talk - Some Are Lakes: B

Music: 8/10 Vocals: 4/5 Lyrics: 4/5 Production: 4/5
Total: 20/25: B

After a very good but someone jumbled first album, Land of Talk comes back with "Some Are Lakes". This entry is much stronger than the first. Elizabeth Powell sticks with mostly double tracking her voice which appears to be her signature sound. It for the most part works. When it doesn't it usually is because the recording gets a bit too sharp on the ears. The music is much tighter this time around with only a few moments where they get too loose and meander a bit too long before coming back together. Mostly, the music leans on post-punk and rock. One standout is easily the opening track "Yuppie Flu" which has an infectious beat and stabbing guitar. The slow song, "It's Okay" is a haunting song of love lost. Every other song is good with no fillers. I wish other bands could put out a whole album of quality tracks. If they can lean a bit more towards mainstream songwriting such as the title track, "Land of Talk" could easily see some commercial success. Overall I can easily recommend Land of Talk.

Friday, December 19, 2008

Lo Bianco New American Cuisine: A

We had our holiday party at Lo Bianco in Collingswood, NJ. It is a fantastic new restaurant that should have much success in this hot location for great food. We started with roasted portabella covered in cheese, onions, and spinich. Each serving was a great bit or two. Next we went to the mussells which were in a delicous garlic and saffron sauce. The bread was also very good with a great crust and just chewy enough.

The main meals were all fantastic. The braised beef shortrib was easily a standout. A huge rib with meat that melted in your mouth served over mashed potatoes and some grilled scallions. The scallops and steak au poivre was also great. Several people raved about the scallops. But the portion was a little small. But overall everyone was very pleased with their various meals.

For the food, the only disappointment was the dessert. We got the chocolate tort which was fair at best. I recommend the restaurant perhaps outsource their desserts to a local bakery.

The service was relatively prompt but a little unpolished. The waitresses did not adequately describe the food in detail. Also one was chewing gum.

Overall, a fantastic new place in Collingwood. I wish them many successes.

Saturday, December 6, 2008

Eagles of Death Metal - Heart On: D

Music: 4/10 Vocals: 3/5 Lyrics: 2/5 Production: 2/5
Total: 11/25: D

The singer/guitarist from "Queens of the Stone Age" also fronts this band on his off days. EoDM is more stripped down band that explores different influences than the hard rock QotSA. Unfortunately, even though I can hear the makings of some great songs here, they are all under polished and poorly recorded. The entire album sounds like a few mics were set up in a room and the vocals overdubbed on that. The guitars sound very tiny and tinny. The songwriting sounds rushed. Many of the songs needed more time to fully flesh out. Instead they meander a bit or good hooks are paired with foddor.

Listened to in the background it sounds like a very good album. But when you pay attention you realize it all doesn't gel and it's a very poor outing.

Saturday, November 22, 2008

Happy Hollows - Imaginary: C-

Music: 6/10 Vocals: 3/5 Lyrics: 2/5 Production: 3/5
Total: 14/25 = C-

I loved the Happy Hollows first album, even with a C rating. It was raw. Energetic. Immature. And fun. "Imaginary" shows some maturity in the music writing but somehow misses the mark on the energy they brought the first time. Lieutenant, which clocks in at 5:06, is a rambling mess. It has probably 4 songs in it all mashed together. Tambourine tries to be clever but instead is just kind of dumb. Fortunately, Labyrinth and Colors return to their roots with fun music and nonsensical lyrics. The lyrics in Colors are just the band members yelling out colors. No message. Just fun. But I'm disappointed by their second EP and hope they do better on their third outing.

La Posata Ristorante: A

User Rating: 5 out of 5 stars
by Tom
11/22/2008
I just hosted an office party of 20 people at La Posata.They handled it perfectly. Service was spot on. And they kept things moving smoothly. The food was fantastic. We started with a simple antipasto. I've never had the cheese that was included but it was simply one of the best cheeses I've had. My main entree was crab cakes with two grilled shrimp. The shrimp was perfectly flavorful. The crab cakes were very interesting. They were very light and airy. It wasn't from too much filler. They were very good. My wife ordered the swordfish covered in sauteed scallions. It was amazingly good. For dessert the tiiramisu was homemade, light, and yet rich. Everyone else at the dinner party enjoyed their meals.

La Possata sits perfectly between mass produced Italian food and the top tier restaurants in the area. And it's priced perfectly. Dinner including appetizer, soup/salad, entree, and dessert ran $90 a couple. It is BYOB. I highly recommend this place.

Saturday, November 1, 2008

Metallica - Death Magnetic: B-

Music: 7/10 Vocals: 4/5 Lyrics: 3/5 Production: 4/5
Total: 18/25: B-

Metallica returns after their horrible "St. Anger" which angered many fans. Luckily, "Death Magnetic" delivers. This album essentially erases the past 20 years of hard rock music and firmly places them back into metal. This album would fit perfectly after "and Justice for All". In fact, I'd say it's a tad better. But even though the shredding is back and blistering solos take their place front and center, it still is lacking compared to "Master of Puppets" and "Ride the Lightning". And this isn't pining for the past. None of the songs have the instantly memorable beginning like "Master of Puppets". There is no classic solo. But overall it's a terrific effort but it shows a bit of their age. The lyrics just don't bite the same way coming out of a 40+ year old. But it rocks and shreds and heck, that's what we've been wait for, for about 20 years.

Saturday, October 25, 2008

Dinosaur Jr. - Beyond: C+

Music: 8/10 Vocals: 3/5 Lyrics: 4/5 Production: 1/5
Total: 16/25: C+

J. Mascis and the band reunite to produce Beyond. It is a mostly enjoyable romp down memory lane of '90s rock music. It stays true to its roots and produces great music with bad singing. One thing that can't be disputed is J can play the guitar. Not only are the rhythm parts excellent, but he can wail on lead guitar. This album features several 2+ minute solos that are melodic and ripping at the same time. It makes me remember that great guitarists are so few and far between in the 2000s.

Unfortunately, J continues to sing his barely legible lyrics. He's never been good and continues the streak. Yeah, if your a fan you love his quirky voice, but he'll never win over a main stream audience. It's a shame because this band behind a great singer could be extremely successful.

The worst part of the album is the production. There is no excuse to the quality of sound. I feel there is gauze in my ears and haze over the band's sound. Almost any decent home studio can produce a better sounding album. As with the recent Meat Puppets album, I'm astonished that studios can even produce something of this low quality.

If you liked Dinosaur Jr. 15 years ago, you'll love this album. And if you love great guitar solos, pick this up immediately. Everyone else should probably stay away.

Saturday, October 18, 2008

Red Fox Grey Fox - From the Land of Bears, Ice and Rock: C-

Music: 8/10 Vocals: 1/5 Lyrics: 1/5 Production: 4/5
Total: 14 of 25: C-

This band totally confuses me. They sound like a female Irish woman singing in a very lush rhythmic band. In reality, it's a man singing in falsetto and their from Minnesota. Definitely changes the perception of what this band is about.

First the good side. The music is great. The drummer easily carries the band producing excellent rhythms and in many ways the direction of the music. The guitarist adds another depth of dimension by mostly complementing or amplifying the drums. There are keyboards to fill in the holes. The weakest link is the bass player who mostly fills in the root. Musically it's great. Part shoegazer, part rock.

The singer is where it all falls apart. When he sings melodically it's not too bad. Especially the songs and moments that leave the listener awash in sounds and musical movement. Unfortunately even then his voice warbles too much especially at the end of phrases. Where it really goes bad is when he tries to sing forcefully. Instead it comes out blaring and harsh. It becomes grating very quickly.

The lyrics also terrible. A chorus of "you are so strange" sung 50 times in a row is very annoying. And no song should start , "Billions of years ago, volcanoes and dinosaurs, creatures of that sort, were creeping and crawling and dying on the planet's floor." Not only is it factually wrong (millions not billions, and volcanoes are definitely not creatures), it's is just dumb lyrics. Who wants to listen to that?

Get rid of the singer, add a vocally talented female singer, and you've got a great band. Otherwise run very far away from Red Fox Grey Fox.

Friday, September 19, 2008

Toadies - No Deliverance: B

Music: 7/10 Vocals: 4/5 Lyrics: 4/5 Production: 4/5
Total: 19/25 = B

Toadies reunite after many years to put one more album out. They've always been a macabre band singing songs about serial killers, murders, ghosts, and plane crashes. But it's masked behind good but somewhat vague lyrics. Their new album is no different. Perhaps the best track is "One More" which states "she turns the lock on her bedroom door/she finds the answer/she takes one more/and one more". One more what? Pill? Is she a cutter? Who cares, it's absolutely haunting.

The album has many highs but unfortunately as more than a few plodders that don't have the same punch. It takes the energy out of an otherwise good album. It's around a 50/50 mix of good to fair.

Vaden Todd Lewis' voice is as strong and angry as ever. One the good tracks the guitars are loud and bite often. The rhythm section booms and keeps it all driving.

Overall, it's well worth the price of admission. I just wish they culled a couple more off the album and replaced them with better tunes.

Saturday, August 9, 2008

The Gutter Twins - Saturnalia: A

Music: 8/10 Vocals: 5/5 Lyrics: 5/5 Production: 4/5
Total: 22/25 = A

The Gutter Twins is a collaboration of the singers from Screaming Trees and The Afghan Whigs. I'm a huge Mark Lanegan fan so I was eager to get this. And it did not disappoint.

One thing is for certain. God is coming for these two. And from the sounds of it, God may not be pleased! This makes Saturnalia a very dark and heavy album. But redemption requires facing one's demons and perhaps that's what this is all about. Certainly not to be missed is the Eastern-influenced Idle Hands which is perhaps one of the best songs of the year. Get this and repent.

The Hold Steady - Boys and Girls in America: C

Music: 7/10 Vocals: 3/5 Lyrics: 2/5 Production: 4/5
Total: 16/25 = C

The Hold Steady is a mix of Southern pop and Bruce Hornsby. The singer is a blend of Bruce Springsteen and Michael Stipe. It all kind of works well except for the lyrics. The singer is too busy talking about partying and getting high that it taints the other good songs on the album. Hopefully this band will mature since a lot of it is actually pretty catchy.

Sunday, July 27, 2008

Adam Franklin - Bolts of Melody: D

The singer/guitarist from the under-appreciated Swervedriver delivers a solo album. Upon several listens, the seeds of that classic Swervedriver sound is there. Unfortunately, it just doesn't deliver. The songs are thin and meandering. They lack the hooks of his former band but also the depth. There are a few worthy songs such as "Seize the Day" and the great instrumental "Theme From LSD". But mostly Adam provides the seeds to what should be greater songs if only he had a more capable collaboration of musicians.

Thursday, July 24, 2008

Coheed & Cambria - No World for Tomorrow: A+

Music: 9 Vocals: 5 Lyrics: 5 Production: 5
Total: 29 - A+

Let's put it this way. If you like C&C then this is a masterpiece. It has such an epic feel to it. The songs are grandiose and sweeping. And it's all recorded perfectly. Huge crunching guitars. Thunderous drums. And a full bottom end. The vocals fly over the music.

The songs range from a perfectly executed 90s pop song (Feathers) to 80s metal (Justice in Murder) to a great Iron Maiden-esque (Gravemakers & Gunslingers). Coupled with acoustic and classical guitars for songs that set the story.

If you don't get C&C, then you'll be lost and never understand. But for those who see C&C for what they truly are, this album will be cemented with you forever.

Saturday, June 28, 2008

The Autumns - Fake Noise from a Box of Toys: D

The Autumns are a cross between Snow Patrol and My Chemical Romance. Unfortunately, their style doesn't match their songwriting talent. Oddly, everyone in the band is pretty good. But they fall short in making cohesive songs. Most songs are a jumbled mess with good pieces peeking out. What this band needs is a good producer to help them hone their craft. Until then, pass on the Autumns.

Sunday, May 18, 2008

Happy Hollows - Bunnies and Bombs: C

Music: 8/10 Vocals: 3/5 Lyrics: 2/5 Production: 3/5
Total: 16/25 = C

It's 1am. You're favorite band just played at the local dive bar. You've have one too many. Should you risk driving or see the next band? 3 piece. Girl singer. Kinda hot (at 1am after too many beers). You stay. Enter the Happy Hollows from California.

Now, my C is very misleading. I love this band. They are completely unpolished. Think punk meets insanity. They lyrics are nonsensical. The music is basic, loud, and crunchy. It's fantastic yet horrible. Most people would dismiss them as untalented, drugged, and dumb. Hell, they may even be right. But, nonetheless, I'm hooked. If you like very alternative, indie, punk, noise, rock, then please grab a copy of Bunnies and Bombs. It's only an EP but hopefully a prelude to much better things (like a better studio).

Tuesday, April 15, 2008

Apples in Stereo - New Magnetic Wonder: B

Music: 8/10 Vocals: 4/5 Lyrics: 4/5 Production: 4/5
Total: 20/25: B

Apples in Stereo have been around since at least 1995. I'm surprised I haven't heard of them sooner. They are a very eclectic powerpop band. On this album, they tend to morph and emulate various styles. I don't know if this is their trademark or not. But, they move from straight ahead guitar pop rock, to Elvis, to the Beatles, to 70s hippie jams, and everything else. It takes a bit to get used to moving in and out of styles, but most of the songs are very good with only one or two that could have been left off the album.

For me the two standouts are "7 Stars" and "Radiation" which kind of are similar to the poppier side of Smashing Pumpkins like "1979" and "Rocket". But there plenty of other solid tracks on this one. It won't blow you away, but it's extremely solid and worth a listen.

Friday, March 28, 2008

Earlimart - Treble & Tremble: C-

Music: 5/10 Vocals: 1/5 Lyrics: 3/5 Production: 4/5
Total: 13/25: C-

I have a friend named Earl. I downloaded Earlimart. Earlimart is much cheesier than Earl.

There's nothing wrong with this album. There's just nothing right about it either. It is very generic pop rock music. It comes close on a few occasions to be good but never gets there. The singer kind of breathily rasps his vocals. At least the production is pretty good.

Basically, don't download Earlimart. There is nothing here to like or dislike making me wonder why they tried at all.

Friday, March 21, 2008

The Whigs - Mission Control: B-

Music: 9/10 Vocals: 3/5 Lyrics: 2/5 Production: 4/5
Total: 18/25: B-

The Whigs is a good band that could be great. First some accolades. Rolling Stone named them the best unsigned band in 2006. Esquire gave them a best drummer award in 2007. And I label them best bar band of 2008. Well, that last one isn't worth much.

The Whigs as a band are fantastic. Biting guitars. Really good drums. And a fantastic bass player. They range from balls-out rock to more moderate fare. And they are recorded fantastically. In fact, this should be used as a reference on how to record bass guitar. The composition is also great. The guitars bite but never go low to interfere with the bass. The drums sit perfectly. The bass has a great low end and yet clear upper end to hear the pluck of the notes. But after that here's where it goes wrong.

The singer isn't all that good. Yeah, he croons and yells. But really, it's the guitar player who happens to sing. Get a real singer and let the guitarist sing backup and you've got one terrific band. Top tier. And perhaps the producer knew it. The vocals are mostly put behind the band and lots of reverb. And the lyrics aren't all that good either.

If you saw these guys in a bar or small venue you'd think they were the best thing ever. But on a CD the flaw of the singer really stand out. He's not terrible. He's just not good enough for this band. And it may hold them back from really taking off.

Saturday, March 15, 2008

Mark Lanegan Band - Bubblegum: B-

Music: 5/10 Vocals: 5/5 Lyrics: 4/5 Production: 4/5
Total: 18 of 25: B-

Mark Lanegan was the singer for the Screaming Trees, a terrific band. He is a part time singer with Queens of the Stone Age as well as other side projects. This album came out in 2004. I've always loved Mark's vocals so I was eager to check out his solo work.

Mark's vocals can be described as whiskey soaked with a healthy dose of cigarettes and low enough to rattle the floor. He has a truly amazing voice that really is totally unique. So it comes as no surprise that the vocals on Bubblegum are fantastic. Coupled with several duets, including two with PJ Harvey. In fact, those two are excellent songs.

Most of the album focuses on Mark's vocals and leaves the band in the background. One exception is the song "Strange Religion" which features Izzy Stradlin and Duff McKagan from Guns and Roses fame. But for the rest, the band is secondary which hurts the overall experience. Much of the music is fodder and pap. He even has some fuzzy guitar in a tunnel overtop a drum machine. Ug. Mark can certainly get a better canvas for his voice. The exceptions are the slow and somber duets which Lanegan croons over.

Give Mark a real band and he would be king of the world. Maybe in this new world where the labels aren't as important, perhaps the Screaming Trees can rise again to their former glory. But for now, if you're a Lanegan fan, pick up Bubblegum. There are certainly a handful of great songs. But if you've never heard of him, pass by this album. It's just not good enough.

Monday, March 10, 2008

The Cardigans - Super Extra Gravity: B

Music: 8 Vocals: 5 Lyrics: 4 Production: 4
Total: 21 of 25: B

Come on, we all remember that super sugary pop song, "Lovefool" from the 90s. It was great. Avid Cardigan fans hate that song because the band is "better" than that. Well, they're right.

First, Nina Persson has a pitch perfect voice for rock/pop music. It's beautiful, sweet, and sultry all at the same time. The harmonies are spot on. And hell, she's beautiful as well. She also writes pretty good lyrics for the genre. She certainly draws you in to listen more.

Then you hear the band. They write really great rock/pop songs. The highlight, "I Need Some Fine Wine and You, You Need to Be Nicer" has a great riff and biting lyrics to make a song you'll repeat often. "Black Cloud" and "Good Morning Joan" are great little pop numbers. But the album shifts into slower and more powerful songs such as "Losing a Friend" and "Holy Love" that show Nina's soulful side.

There's really only one song that doesn't make the cut. Everything else is good to great.

The album is also recorded extremely well. Everything is well placed and balanced. Maybe a little more bottom end would push it to perfect.

This is a really good album that deserves a listen if you like lighter rock fare. It's honestly an album that I'll be listening to years from now.

Friday, March 7, 2008

Dub Trio - Another Sound Is Dying: D

Music: 3 Production: 3
Total: 6 of 15: D

Well, I really should have found out what "dub music" was before I got this one. Dub is the art of taking other people's music, removing the lyrics, accenting the rhythm section, and then adding lots of trippy echoey effects. That certainly isn't anything I want to listen to.

Enter Dub Trio. Sampling iTunes and any rock/metal person will be drawn in. The three musicians on guitar, bass, and drums are outstanding (limited vocals). They tear it up with some incredible metal riffs. You'll be pumping your fist in the air and want to pummel the person next to you. Oh, but then it goes wrong. After about 20-40 seconds (after the iTunes preview) it goes into that trippy, echoey, reggaey sound which makes you want to burn your own ears out. Suddenly you're frustrated that such a talented band that could produce some incredible metal instead decided to do dub. Of course, if you love dub more than life itself, Dub Trio is your savior. But, that's not me. Stay extremely far away.

Sunday, February 10, 2008

Black Mountain - In The Future: D

Music: 3/10 Vocals: 1/5 Lyrics: 1/5 Production: 1/5
Total: 6/25: D

Doing a quick sample on iTunes, this sounded like a great throwback to 70s rock. Big guitar riffs. Mystical lyrics. Booming drums. Oh, how wrong could I be?

First, yes, it sounds very 70s. And that's mostly a bad thing. The riffs are out of the 70s but have no magic of their own. In fact, they are mostly boring since well, I've heard them all done before and much better.

Next, the recording is horrible. It sounds like it was done on an old analog reel to reel. The high end is gone and it has no sizzle. The reverb effects sound like a 30 year old crappy guitar pedal. And the end product sounds like a bad dub of a cassette tape.

The lyrics don't help either. Yeah, they're vintage 70s goofiness. But, do I need 3 minutes of them singing "Bright Light, Light Bright" and thousand times? Horrible.

I was hoping Black Mountain was conjuring Black Sabbath or at least a good knockoff like Wolfmother. Instead we get utter crap.

Saturday, February 2, 2008

Velvet Revolver - Libertad: C

Music: 5/10 Vocals: 3/5 Lyrics: 3/5 Production: 4/5
Total: 15/25: C

Okay, I really liked their first album, Contraband. It just rocked. Yet, you couldn't help but notice that it wasn't as tight as it should be. Perhaps they just needed some time together to completely gel. Enter Libertad. Just as a side note, my copy had a sticker over the bare boob in the cover's graphic. Silly.

How utterly disappointed I am with this album. It is mostly generic rock filler material. It's not bad, it's just not nearly as good as it should be. First, there are a few highlights. "Let It Roll", "She Builds Quick Machines" and the ballad "Can't Get It Out Of My Head" are really good songs. Not great songs. But really good. For for each of those are two purely uninspired songs to accompany it.

Adding more insult to injury, Slash's signature solos are completely missing. Sure, he solos. But none are memorable. Hell, I could play half of his solos on this one. And that should pretty much tell you the solos are utter fodder.

Scott croons and screams nicely, but never gets back the hooks from the first album or his former glory of STP. A good outing but again nothing impressive.

According to the RIAA website, this album hasn't even cracked 500,000 copies. I'd say these guys are done and gone. Too bad. There are insanely talented. But they certainly aren't hungry any more.

Tuesday, January 29, 2008

Okkervil River - The Stage Names: C

Music: 3/10 Vocals: 4/5 Lyrics: 3/5 Production: 4/5
Total: 14/25: C

Okkervil River made many top 20 lists in 2007. I had to check them out to see what the hype was. What I can say is that singer Will Sheff has a very unique voice and has a very good command of it. Half Morrissey, half Strokes may be a bit of a stretch but it gives you the right framework. I respect his vocal talents although I'm not all that drawn in by them.

The band is rather pedestrian. They are compitent enough but not good enough to write particularly good songs. A few mildly stand out but overall I easily keep this in the background without humming or tapping my foot. I would never want to actively listen to them. They range from light pop to folk. So, folk/pop/rock genre. At least they are unique.

So, perhaps the professional reviewers love this band because they really don't sound like anyone else and execute decently. But while I may agree with that, none of their songs engage me in any way so I really can't recommend it.

Sunday, January 27, 2008

White Stripes: Icky Thump: B

Music: 7/10 Vocals: 4/5 Lyrics: 4/5 Production: 3/5
Total: 18 of 25: B

I have to admit that I really disliked their last album, Get Behind Me Satan. I found it to be very derivative and not very entertaining. Then one morning I happen to flip channels and stop on some much channel on cable. The song, "You Don't Know What Love Is (You Just Do As You're Told)" was on and it was awesome. I couldn't believe what a great song it was. Then serendipitously I heard the title track "Icky Thump" on the radio and it was equally good. I took a chance and picked up the album.

First, I swear Jack is channeling Jimmy Page and Robert Plant. Many of these songs could easily appear on Zeppelin 2 or Houses of the Holy. Heck, let John Paul Jones play bass and you could probably leave them as is. But this isn't some tribute band. These songs rock on their own. Derivative but original. It's quite good.

Next, Meg at times channels John Bonham with her thundering bass drum and toms and her extremely heavy hand on the cymbals. She's not nearly as good, but good enough to keep the beat for Jack.

Another highlight is the excellent "Rag and Bone" where Meg and Jack would happily take all your unused stuff you've got. And "Little Cream Soda" delves into such heavy metal that you want to time warp back to the 70s (that kind of metal).

Ultimately, there is some unevenness in the songs and few clunk by. But there's enough here to keep rocking. And honestly, I know this is a two piece but the music would be much better with a good bass player to hold the bottom. This may be sacrilege to long time fans, but it's the truth.